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W.E.B. Du Bois Institute - News & Events
Skip Gates Traces Ancestry of the Famous
Henry Louis Gates Jr. branches out in 'Faces of America'
Blackness 101: Skip Gates talks about Black History Month--and what it means to be black today.
Knome Featured in New PBS Series Faces of America with Henry Louis Gates, Jr.: Marks the first time that the genome of an African American has been sequenced and analyzed
'Faces of America with Henry Louis Gates Jr.' roots around in stars' heritage
WGBH's 'Faces of America' traces Hollywood's family tree
Henry Louis Gates Jr. branches out in 'Faces of America'
Latin events, Feb. 10-16
PBS airing Black Histoy programming
TV Junkie: The Re-Launch of the Sundance Channel
TVEye: Celebrity Genetics Series 'Faces of America With Henry Louis Gates Jr.'
Ecollywood: Would you believe 'Survivor' is an eco-friendly reality show?
From Berklee girl to 'Idol' threat
'Faces of America' Traces Famous Genealogy
Henry Louis Gates Jr. traces family histories of multicultural celebrities
Not so far apart
TV Premieres, Finales and Marathons airing Feb. 7-13 (2010)
DNA helps link Obama and Senator-elect Brown
"All the Same"
Longoria Parker doesn't diet
Google Blogs Alert for: "Faces of America"
| Stephen Colbert – Faces of America w/ Skip Gates « The Open Piehole By akamat Stephen Colbert – Faces of America w/ Skip Gates. 2010 February 8. by akamat. more about "Stephen Colbert – Faces of America w/…", posted with vodpod. from → Uncategorized. No comments yet. Click here to cancel reply. ... The Open Piehole - http://akamat.wordpress.com/ |
| {alltv} Henry Louis Gates Jr. branches out in 'Faces of America ... By Smart To identify who we are, we have to examine who — and where — we are from. That's the core premise of PBS' Faces of America With Henry Louis Gates, Jr., premiering Wednesday (8 ET/PT, times may vary). ... Hottest Celebrity Photos 2010 - http://hot-celebrity-news-photo.blogspot.com/ |
| GeekTonic: TV Premieres, Finales & Specials This Week 02/07/2010 By Brent Evans Faces of America (8pm on PBS – Available in HD) – A new PBS documentary series. Henry Louis Gates looks for answers to: “what made America” and “What Makes Us?” Inside NASCAR (10pm on Showtime) – A new series not in HD. ... GeekTonic - http://www.geektonic.com/ |
| Sunday Night Notebook By Rich Heldenfels Today's DVD column, topped by Oscar nominee "A Serious Man." Tagged as: A Christmas Story, A Serious Man, Couples Retreat, David Letterman, Faces of America, Henry Louis Gates Jr., Jay Leno, Oprah Winfrey, Peter Billingsley, Super Bowl ... The HeldenFiles Online - http://www.ohiomm.com/blogs/heldenfiles/ |
| No Competition: My Super Bowl Favorite « Shenandoah Supper Club By nthonaker >From the NYT: http://ow.ly/14EC7 7 hours ago; Chef Mario Batali to be featured on PBS' "Faces of America". http://ow.ly/14EqA 9 hours ago; News from the salt-lick: Feb. 22nd is National Margarita Day. Wonder if NYC Mayor Bloomberg will ... Shenandoah Supper Club - http://nthonaker.wordpress.com/ |
Google Web Alert for: "Faces of America"
| Malcolm Gladwell | Faces of America | PBS (Journalist) Malcolm Gladwell is the author of four New York Times bestsellers: The Tipping Point: How Little Things Make a Big Difference (2000), Blink: |
| Stephen Colbert - Faces of America w/ Skip Gates Video Watch Stephen Colbert - Faces of America w/ Skip Gates and hundreds of other videos about colbert, stephen colbert. |
| Faces of America | Guest of a Guest Faces of America · more events ». Want a Guest of a Guest photographer at your next event? MASTHEAD. Editors: Rachelle J. Hruska | Email ... |
January 14, 2010
In the wake of Haiti's most destructive earthquake in over 200 years, the images flooding news reports are but a small window into the devastation that has befallen the island nation. Some three million Haitians have been affected, and the numbers of casualties from the immediate effects of the earthquake are projected to be in the tens of thousands. International aid workers and foreign governments are struggling to bring medical and basic resources to the disaster site. The lack of food, water, and shelter - let alone medical care for countless victims - raises the potential for the rapid spread of diseases, some of which can kill children in a matter of hours without proper medical care. It is possible, as one senior emergency advisor for Save the Children warned, "that the situation can go from dire to absolutely catastrophic."
The natural disaster in Haiti has affected all of us in Harvard's global community, whether directly or indirectly. Collectively, our family of African and African American scholars, students, fellows, and staff members at the University are at once grieving and mobilizing for collective action to support our family, friends, and colleagues who, at this very moment, are struggling to survive in Haiti. Indeed, these men, women, and children are family to us all.
Now, more than ever, there is a moral imperative for us to provide assistance on the ground, and to offer the Harvard community and our Haitian diasporic neighbors and friends throughout the Boston area, a venue for understanding the impact of the earthquake and the enormity of the recovery efforts.
Together with my partners in the Du Bois Institute and the Department of African and African American Studies I ask that we all continue to open our hearts and outstretch our hands to our brothers and sisters in Haiti. There are numerous organizations to which you may contribute for relief efforts. So many of you have already given. I urge you, though, to give again, and again. News cycles can last for weeks, perhaps months, but the need for resources to rebuild Haiti's community, and to offer the promise of hope, will last for years.
Along with Skip Gates and Evelyn Higginbotham, I also wish to assure our community at Harvard and in the larger Boston area that we, as the leadership of African and African American Studies at the University, will offer a venue in the coming weeks for us to gather to discuss the disaster in Haiti, and the ways forward. Indeed, here at Harvard, we are a collection of scholars and students - though above all we are a collection of human beings. Our intellects and senses of global humanity will - and must - come together here on campus in the wake of the devastation in Haiti.
Please join Skip, Evelyn, and me in our continued prayers.
Yours sincerely,
Caroline Elkins Chair, Committee on African Studies
For ways to give, please visit: http://president.harvard.edu/news/100114_haiti.php
Rudenstine Gallery: Current Exhibits
EVER YOUNG: JAMES BARNOR, Street and Studio Photography
Autograph ABP and the W.E.B. Du Bois Institute jointly present the first exhibition in the US of James Barnor’s work.
A seminal collection that features a range of archival photographs, including street and studio portraits with elaborate backdrops, fashion shoots in glorious colour, and social documentary images from the late 1940s to the 1970s depicting a burgeoning modernity as the Gold Coast becomes Ghana.
Barnor’s archive was produced during a career spanning more than sixty years. It not only covers a remarkable period in history but also bridges continents and photographic genres, creating a transatlantic narrative marked by his passionate interest in people and cultures. Through the medium of portraiture, Barnor’s photographs represent societies in transition: Ghana moving towards its independence and London becoming a cosmopolitan, multicultural metropolis.
In the early 1950s, Barnor’s photographic studio Ever Young was visited by civil servants and dignitaries, performance artists and newly-weds. While taking assignments for African Drum magazine, Barnor documented the glamorous fashion style of 1960s swinging London and captured intimate moments of luminaries such as Kwame Nkrumah; boxing champion Roy Ankrah, dubbed the Black Flash; Mike Egan, broadcaster for the BBC Africa Service; and Mohammed Ali preparing to fight Brian London in the early in 1966.
Alongside the photographic display, we are proud to present the award-winning Black Audio Film Collective feature film ‘Testament’ (1988), directed by John Akomfrah, an experimental narrative of exile, Diaspora and dispossession.
This exhibition is closely linked to the establishment of Autograph ABP’s Archive and Research Centre for Culturally Diverse Photography (opening in Spring 2011) at Rivington Place, London and emerged as a direct result of archival research supported by the Heritage Lottery Fund. A major James Barnor retrospective is scheduled for October 2010 at Rivington Place, London, UK.
James Barnor was born in Accra, Ghana, in 1929. He started his own photographic practice in 1949 in a makeshift street studio in Jamestown, until he opened Ever Young Studio in 1953. In the early 1950s, he began working for The Daily Graphic newspaper and later Drum magazine. He came to England in December 1959 to study photography at Medway College of Art in Rochester, Kent. He continued working for African lifestyle publications before returning home in 1970 to establish the first colour processing laboratory in Ghana. During the next 24 years, he also worked for the American Embassy and for J. J. Rawlings at Osu Castle. In 1994, he returned to London, where he currently lives.

Previous Exhibits
Photographs
In partnership with the Du Bois Institute, Autograph ABP presents a retrospective exhibition of large-scale colour and black and white photographs from the estate of Rotimi Fani-Kayode, including archival works exhibited here for the first time.
Produced during the 1980s in a career spanning only six years, often in collaboration with his late partner Alex Hirst, Fani-Kayode’s photographic scenarios constitute a profound narrative of sexual and cultural difference, seminal in their exploration of complex notions of diaspora, identity, spirituality and the black male body as subject of desire.
The highly saturated and sexually charged colour tableaux from Fani-Kayode’s Bodies of Experience and Ecstatic Antibodies series are juxtaposed with the ambiguous subtlety and formal aesthetics of his black and white portfolio. Inspired by what Yoruba priests call ‘the technique of ecstasy’, his photographs fuse archetypal motifs from European and African cultures, tracing ancestral memories through a provocative symbolism to evoke a dialogue between past, present and future.
"On three counts I am an outsider: in matters of sexuality; in terms of geographical and cultural dislocation; and in the sense of not having become the sort of respectably married professional my parents might have hoped for." - Rotimi Fani-Kayode.
Intensely personal and politically engaged, Kayode’s oeuvre is central to various critical discourses in British photography of the late twentieth-century. A founding member and first Chair of Autograph ABP, Fani-Kayode died in 1989. This exhibition marks twenty years since Fani-Kayode’s death, and is closely linked to the establishment of Autograph ABP’s Archive and Research Centre for Culturally Diverse Photography at Rivington Place, London.
Rotimi Fani-Kayode was born in Nigeria in 1955 to a prominent Yoruba family who left Africa as refugees in 1966. He studied in the United States, before settling in the UK in 1983, where he lived and worked until his early death at the age of 34 on December 21, 1989.
Autograph ABP is a charity that works internationally to educate the public in photography, with a particular emphases on issues of cultural identity and human rights. They achieve this through formal and informal education programs, exhibitions, publishing and the creation of an archive of culturally diverse photography that is accessible to the public for research. For more information, please visit their website at: www.autograph-abp.co.uk
Sketches from the Shore
Lyle Ashton Harris's work traverses the terrain of complicated gender and racial identity. His semiautobiographical portraits also invoke performance and disguise.(Read more)
Journey of My Soul: Come Along for the Ride
"New England is hardly known for an absence of culture or a failure to appreciate the arts. In fact, Cambridge, Massachusetts can legitimately be tagged as the epicenter, the cradle of the tension and brawls between the cultural melieus of tradition and modernity. Sparks fly from these collisions and engagements on a daily, if not hourly schedule.
The work of Suesan Stovall, recently on exhibit in the Neil and Angelica Rudenstine Gallery of the W.E.B. DuBois Institute for African and African American Research at Harvard University is an example of such an encounter. For in this citadel, Ms. Stovall fronted and framed her song and stories, and in the house that Henry Louis “Skip” Gates built, her images, both stinging and sacred, float in the ether as if she’s held a backstage pass to the African American experience. They are neither burdened nor ponderous, yet insisting of place somewhere, talisman like, and in all American households.
The installation, titled, ‘Journey of My Soul, Come Along for the Ride’, is a sweeping recount of historical attitudes, and is consistent with Ms. Stovall’s interest in assemblage as a medium, and her passionate belief and life journey to discover and develop things not always rolled out as the obvious."
Excerpt from: Jeffrey McNary, …glimpses of the scared and chillin’ art of Suesan Stovall
Essay copyright: © Jeffrey McNary 2008. All rights reserved.











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